Autism supports project underway

Our project ‘Non-human Supports Used by Autistic People for Connection, Health and Wellbeing’ is well underway. This autistic-led project explores how autistic people employ a range of objects, services and creatures to support their wellbeing and find comfort, care and connection. The study’s findings offer insights into the everyday and creative ways that autistic people understand, (re)imagine and engage with non-human support activities, practices and things. It is co-funded by the Vitalities Lab and the ARC Centre of Excellence for Automated Decision-Making and Society.

For the study, autistic adults were interviewed online by project lead Dr Megan Rose. The interview questions asked participants about the kinds of supports (other than people) they use as part of their everyday lives: e.g. for entertainment and leisure, connection with others, cultivating a special interest, dealing with burnout or sensory challenges, and promoting health and wellbeing.

We informed participants that we were taking a very broad view in defining ‘supports’, including ‘things, places and creatures that help you get through the day as an autistic person and deal with any challenges or difficulties’. Participants were asked what supports they used most regularly, what they found most useful or helpful, whether there were any aspects about these supports they didn’t like, which was their favourite support activity or thing (if any), and to explain their answers. The final question asked participants: ‘If you had the chance to design a new support activity or thing to help you in your everyday life – what would it be? How would it help you? What would it look like?’

We have made a short film about some of the participants’ experiences, which can be viewed here.

Currently we are writing academic papers and conference presentations to communicate the findings from the project. We are also working with the wonderful graphic illustrator Sarah Firth, who we commissioned to make ‘portraits’ of each participant using words and images to depict the challenges they face, the supports they use to help them cope with these challenges, and their special interests. We’ll be using these portraits in both our academic outputs and in public-facing open access publications to share with the autistic community and other interested people.

New book now out – ‘Risk’, 3rd edition

Deborah Lupton's avatarThis Sociological Life

The third revised edition of my book Risk, first published in 1999, and second edition published in 2013, is now out. The book has been extensively revised and expanded to take account of the risks that have emerged over the past decade.

A link to the book on Routledge’s website is here and the Google Books preview is here.

Below is the Preface I wrote for the third edition.

In the 1990s and into the early years of the twenty-first century, risk was a key word in both public forums and academic research. The word ‘risk’ was used across social domains and institutions. The sociocultural and political aspects of risk and identifying the reasons for this intensification on risk identification, communication and management were a major preoccupation in the social sciences. The release in 1992 of the English translation of the German sociologist Ulrich Beck’s book Risk Society:…

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New book now out: The Internet of Animals: Human-Animal Relationships in the Digital Age

Deborah Lupton's avatarThis Sociological Life

This book has now been published. It is available from the Polity website here. A video of me giving a talk about the book is here.

Here is the list of contents:

Introduction

1 Conceptualizing Humans, Animals and Human–Animal Relations

2 Animal Enthusiasts, Activism and Politics in Digital Media

3 The Quantified Animal and Dataveillance

4 Animal Cuteness, Therapy and Celebrity Online

5 Animal Avatars and Zoomorphic Robots

Conclusion: Reimagining Human–Animal Relations

Below is an excerpt from the Introduction chapter, explaining the main themes and issues discussed in the book:

The Internet of Animals is the first book to bring together perspectives from across the humanities and social sciences to consider how digital technologies are contributing to human-animal relationships at both the micropolitical and macropolitical levels. It builds on and extends a growing interest in social and cultural inquiry in: i) the digitization and datafication of humans and…

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Arguing on Facebook about COVID: a case study of key beliefs, rationales and strategies

Deborah Lupton's avatarThis Sociological Life

Throughout the COVID-19 crisis, social media platforms have become well-known for both disseminating misinformation and conspiracy theories as well as acting as valuable information sources concerning the novel coronavirus and governments’ efforts to manage and contain COVID. Facebook in particular – the world’s most popular social media site – has been singled out as a key platform for naysayers such as anti-vaccination exponents and ‘sovereign citizens’ to express their resentment at containment measures such as lockdowns, quarantine and self-isolation regulations, vaccination mandates and face-covering rules.

What rationales and beliefs underpin these arguments? How and to what extent are they contested or debated on Facebook? What rhetorical strategies are employed by commentators to attempt to persuade others that their views/facts are correct?

To explore these questions, I chose a case study of a short video (2 minutes 5 seconds long) shared by the World Health Organization (WHO) on Facebook on…

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Face masks in the wild: a photographic collection

Deborah Lupton's avatarThis Sociological Life

Last April, my co-authored book The Face Mask in COVID Times: A Sociomaterial Analysis was published (written with Clare Southerton, Marianne Clark and Ash Watson when we were all part of the Vitalities Lab that I lead at UNSW Sydney). We feature several images of face masks in the books: a few of which we had taken ourselves.

As the title of the book suggests, and as part of my interest in COVID cultures and everyday life, I am quite fascinated about how face masks have become part of more-than-human worlds across the globe since the advent of the COVID-19 crisis. I’ve continued to notice how face masks have become ‘wilded’ through being thoughtlessly discarded (or sometimes deliberately placed) in public places and on other objects, assembling with other dimensions of things, place and space.

Here’s a catalogue of some of these images I’ve taken so far. These masks are…

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